/LING
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Update: February 24, 2023 The new version of Termout.org is now online, so this web site is now obsolete and will soon be dismantled. |
Lista de candidatos sometidos a examen:
1) tones (*)
(*) Términos presentes en el nuestro glosario de lingüística
1) Candidate: tones
Is in goldstandard
1
paper CL_LiteraturayLingüísticatxt454 - : Para Angel ^[37]Rojas (2016): «La presencia de los aparatos tecnológicos en todo este panorama se puede leer desde una triple significación: permite también el acecho y el control policial, a la vez que opera como escape y enajenación de los habitantes de los bloques» (4). De esta forma, el ciber pasa a convertirse en parte de la cotidianidad de los personajes, no solo porque es su lugar de canje de sexo por dinero, sino porque ahí acceden a un estado que les permite dejar de pensarse en la constante fatalidad que los rodea: «Yo venero la neutralidad de la computadora que me protege hasta de los crujidos de mí misma» (13-14), dice la protagonista, que completa su dependencia digital con una cámara de celular que no deja de enmarcar escenas macabras o desoladas» (sin publicar). Así como la pantalla le evita escuchar los «crujidos de sí misma» a un sujeto vulnerado, los ring tones ofrecen una suerte de «normalización acústica»: «Mi mamá, mi papá y mi hermana están desesperados y yo mism
2
paper CO_ColombianAppliedLinguisticsJournaltxt101 - : The last of the systems that Brazil et al. (1980) deal with is the system of termination, that is, the choice of pitch level –high, mid and low– on the tonic syllable. This brings about different meanings which are independent from all other phonological or linguistic choices. Halliday and Greaves (2008) also perceive differences with respect to the pitch level of the tonic (high, mid and low). These are what they call the direct secondary tones, "since they are directly related to the primary ones: they are just more finely specified variants within the given primary tone" (p .164).
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paper CO_FormayFuncióntxt34 - : DISCOURSE BODIES AND TONES:
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paper corpusRLAtxt58 - : Yalálag Zapotec has three tones: high, low and falling . A number of factors indicate the phonemic status of the three tones, and especially that of the contour tone. First, they enter in contrastive relations, so that there are minimal pairs for tone. Second, none can be derived from one of the other two in the lexicon; and third, the three tones are the maximum of tone contrasts found in the tone system. Additional contours -falling and rising- and tone adjustments, such as upstep and downstep, might arise as the result of morphological and intonational processes. High and low tones are essentially realized as level, although slight variations (either rising or falling) can occur towards the end. Nevertheless, these variations are non-phonemic. Falling tone is characterized by a prominent slope that occupies the whole range of the tonal space, i.e. it starts at frequencies closer to those of high tone and falls down until reaching the ranges of low tone.[26] Figure 2 below illustrates the
5
paper corpusRLAtxt180 - : Results obtained from research based on these four criteria indicate that regis ter varies as a dynamic continuum from intimate and private interaction to pro fessional and public communication, covering a wide range of everyday roles and situations. Depending on those roles and situations, during daily communication native speakers clearly identify four macro-registers (^[40]Giménez-Moreno, 2006): family, amicable, social and professional. Under this framework, native English speakers also identify that each of these registers has at least three communicative versions or tones, as illustrated in [41]Table I: (a ) a more relaxed, flexible and informal, (b) a neutral or conventional, and (c) a more ceremonial, rigid and formal.
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paper corpusSignostxt378 - : Astruc, L. & Nolan, F. (2007a). Variation in the intonation of sentential adverbs in english and catalan. En C. Gussenhoven & T. Riad (Eds.), Tones and tunes, volume I: Typological and comparative studies in word and sentence prosody (pp . 233-263). Berlin: Mouton de Gruyter. [ [54]Links ]
Evaluando al candidato tones:
tones
Lengua: eng
Frec: 77
Docs: 30
Nombre propio: 1 / 77 = 1%
Coocurrencias con glosario:
Puntaje: 0.137 = ( + (1+0) / (1+6.28540221886225)));
Candidato aceptado
Referencias bibliográficas encontradas sobre cada término
(Que existan referencias dedicadas a un término es también indicio de terminologicidad.)| tones |
: Beckman M., Díaz-Campos, M., Mcgory, J. T. y Morgan, T. A. (2002). Intonation across Spanish, in the tones and break indices framework. Probus, 14(1), 9-36. doi:10.1515/prbs.2002.008. : Beckman, Mary, Manuel Díaz-Campos, Julia T. McGory y Terrell A. Morgan 2002 "Intonation across Spanish, in the Tones and Break Indices framework". Probus. 13, 9-36. <[39]https://doi.org/10.1515/prbs.2002.008> . : Dorta, Josefa, Jorge Martín Gómez y Carolina Jorge Trujillo. 2017. Intensity threshold: beyond pure tones. Estudios de Fonética Experimental, 25: 133-163. : Elordieta, Gorka. (2007b). A constraint-based analysis of the intonational realization of focus in Northerm Bizkaian Basque. In T. Riad., & C. Gussenhoven (eds.), Tones and Tunes: Volume I, Typological Studies in Word and Sentence Prosody. Berlin: Mouton de Gruyter. : Estebas, E, Gutiérrez, Y., Vizcaíno-Ortega, F., Cabrera-Abreu, M. 2015. Boundary tones in Spanish declaratives: modelling sustained pitch. 18^th International Congress of Phonetic Sciences, Glasgow. : In spite of the attempt made by ^[67]Rodriguez (2016) to test the effectiveness of an intervention to teach the prosodic patterns of English questions, this does not account for two important elements, namely tonality and tonicity. Instead, such work focuses on the choice of tones only. : Na transcrição prosódica, foi utilizado o P_ToBI (Portuguese Tones and Break Indices) (^[74]Frota et al. 2015c), um sistema de anotações desenvolvido a partir de estudos realizados no âmbito do InAPoP. Esse sistema possui três camadas de anotação: Tons, Ortografia e Fraseamento.^[75]^7 : Prieto, P; Aguilar, L., Mascaró, I., Torres, E J. & Vanrell, M. M. 2007. CatToBI (Catalan Tones and Break índices). Consultado el 24 de junio de 2007 en [149]http://seneca.uab.es/atlesentonacio/cat-tobi/Cat-ToBI.pdf : So, C. K. (2006). Effects of L1 prosodic background and AV training on learning Mandarin tones by speakers of Cantonese, Japanese, and English. Unpublished doctoral dissertation, Simon Fraser University, Burnaby, British Columbia, USA. : Wang, Y., Spence, M. M., Jongman, A. & Sereno, J. A. (1999). Training American listeners to perceive Mandarin tones. The Journal of the Acoustical Society of America, 106(6), 3649-3658. : [144]Ferreira[145], Letânia. 2008. High initial tones and plateaux in spanish and portuguese neutral declaratives: consequences to the relevance of F0, duration and vowel quality as stress correlates. Tese de Doutorado, University of Illinois Urbana-Champaign, Inédita. |